How did you become involved in artist’s books?
I have been making books for over 15 years, an interest that grew from a retreat I was on in Portland, America.
What is the focus of your practice?
Beachcombing has always been
a passion of mine, and Seaglass is the focus around my books, I collect the
glass from the seashore, which I put into clay, to form the front cover of the
books, I then spin and weave threads to make the back covers.
What are you working on at the moment?