paula roush/msdm.studio

paula roush/msdm.studio

How did you become involved in artist’s books? I consider publishing as my artistic practice, with publications crossing over into photoworks, installation and photobook works. What is the focus of your practice? The relationship between mind, consciousness and the materialisation of the photographic object. What 

Clare Rogers

Clare Rogers

How did you become involved in artist books? I was introduced to artist books by a printmaking technician while I was at Plymouth University studying fine art. My final body of work included a book ‘Inventory’ which I entered into the Sheffield International Book Prize 

Anne Rook

Anne Rook

How did you become involved in artist’s books? Some 20 years ago I met Bristol artist Annabel Other who had started a portable, fully functional public library. I made a small  ‘Pocket Dictionary of Greediness’ for her library and was fascinated by the concept of 

Prance Press

Prance Press

How did you become involved in artist’s books? Making books began as a way of finding a home for words that spilt out of me. As I learned the scope of materials, the books I made became as much about the production as the words 

Case Room Press

Case Room Press

Philippa Wood How did you become involved in artist’s books? My initial interest came from when I organised a book-binding workshop for a group of graphic design students; at around the same time myself and a colleague inherited a treadle press from a local high 

Helen Scalway

Helen Scalway

How did you become involved in artist’s books? I trained as sculptor at Chelsea but became more and more interested in artists’ books as a means of enacting book/sculptural sequential ideas.  I also liked the modesty and portability of artists’ books, the way you can 

Tim Shore

Tim Shore

How did you become involved in artist’s books? I have been exhibiting books since 2015, with my first book, ‘a history’, at the 18th International Contemporary Artists’ Book Fair at the Tetley, Leeds. That year it was also selected for the Sheffield International Book Prize 

Pat Hodson

Pat Hodson

How did you become involved in artist’s books? I stumbled into making books in 1990, while working with a laborious process, involving liquid dye and silk. I deconstructed the process into a 12 image sequence, which reveals how the colour, repeatedly and randomly overlaid, retains 

Gnobilis Press

Gnobilis Press

Alastair R. Noble How did you become involved in artist’s books?I have made artist’s books throughout my artistic career. I trained, as a printmaker therefore the production of artist’s books was a natural transition. In light of this, I have employed a number of printing 

Michelle Holland

Michelle Holland

How did you become involved in artist’s books? I have been making books for over 15 years, an interest that grew from a retreat I was on in Portland, America.  What is the focus of your practice? Beachcombing has always been a passion of mine,